It’s been a minute since we went back to Vermont to see what those boys are up to in Greensboro. Now that Citra is a household hop right next to the Ajax and the baking soda, let’s go way back and enjoy this top 100 banger with a fresh liver. This beer would previously post up with Abner and Double Galaxy and push kids around the school yard, showing them how hops is done. Does it still bully the fuck out of newcomer DIPAs? We shall see in today’s revew. WE SHALL SEE.
Hill Farmstead Brewery
Vermont, United States
Style | ABV
American Double / Imperial IPA | 8.00% ABV
A: You already know how this cow eats the cabbage before you even pop that growler. You get an eggshell white foam that is just pumps out ropes and ropes of lacing like Peter North. Google him after you get home from work. The turbid borderline farmhouse look to this beer lets the consumer know two things 1) pasteurization is for playaz who dont be getting it and 2) that milky secret holds all the hops in the substrate like a male seahorse and all his spawn. The carb is indefatigable and crackles endlessly, taunting you, letting you know no one asked you to Sadies, reminding you of substandard DIPAs of the past and the messy hop IEDs of the future.
S: Some other breweries choose to buttress citra hops with something like oh I don’t know cascade, simcoe; you know something to give structure to the acidic citrus aspects. This beer just says fuck all that and goes ham on the citrus notes. It is like a Farmer’s Market of tangerines, mandarin oranges, clementines, and nectarines. There is a light honey at the backend and some Grand’s biscuits going on just to make old Grammy smile at this hop builder straight flexing its traps.
T: This follows the nose pretty congruently and makes you feel as though you may have tread this path before in Society and Solitude, or perhaps to a lesser extent Abner. You get a lil aserose poking its head out of its knothole with the first sign of spring, then this turns into a straight up Gushers/Fruitopia commercial of juiciness and everyone is getting mouthfucked with oranges, lemon zest, cuties, and every manner of citric acid. This isn’t a fruiter berliner sort of acidity though, it is like a TOOL fan’s room with a stick dankness of oils and a bright glow of a blacklight hop cone poster. It is bright, bold but almost menacing in the way it just pushes your palate down into a swivel chair and demands the access codes.
M: This is hoppy and cirtus forward to the point of being drying along the gumline. If you have ever had beers that go hard on the Tomahawk/Warrior you know what I mean but this is a little different. It isn’t exactly a resinous bully that tears up your bicuspid walls, because there is almost a sort of yogurty creaminess to it. It’s like a hop gangster who flips a coin, shoots your friend and lovingly puts its arm around your gumline. Shit starts popping off in all kinds of directions like Hmong family reunion.
D: This is almost frustratingly drinkable. The 750ml swingtop is a mockery for this beer and shouldn’t even be an offsite option. It is akin to a single song dance at a strip club when you know you are gonna be tipping up. Once it is gone, you feel like that nursing student crawling around the floor collecting the one dollar bills, dancing your way through school. The carbonation just adds to the problems because the crack and substantial coating in the creaminess lends itself to foregoing contemplation of what you are enjoying. One minute you are just contemplating going to see Pain & Gain, the next minute Double Citra is gone and you are asking to speak to a lawyer.
Narrative: Angus T. Jones was sick of this shit. He walked around the backlot and bit into a ripe tangerine and looked over the spec script for the 14th season. Two and a Half Men wouldn’t be the same without the half man, now almost two decades old. “Get my agent on the phone, I am sick of this fucking nonsense,” Angus called out to an associate producer and cast a Newport onto the pavement. At first things were sweet, when he was younger he was content with mediocrity, but this was too much. “Another fucking episode about me not fitting in at school? I am 19 fucking years old. The writers need to get their shit together!” he screamed into the DP’s voicemail. In the beginning it was easy to forget all of the mediocrity, which folded into itself like the membranes on a mitochondria. However the acidity had been punched up, his sticky distemper was affecting Ashton Kutcher and other serious artists on the set. “How about this, my character goes to the fucking Army? Ok? Or, I dont know, get an alien or an adopted kid. Do what shitty shows do when they become worse and worse to the point that Nascar fans wont watch them anymore. Yes, yes I did see the final season of Family Matters, do that shit,” he called into his iPhone 5 while texting one of the hot skeezies on iCarly. He was more acidic than he was deep, but he was more profound than others in his position. Angus Jones was an acerbic asshole that people could never seem to get enough of.