Lost Abbey Red Poppy, Red Poppy be Throwing up B’s Reppin’ Flanders Red Sourblood Crew in the Trap

Ah I remember last year’s Red Poppy, a reasonable $13.99 or something at the brewery, maybe even more. Well things haven’t changed much price and distribution wise, but let’s see if this old Redface has any new tricks up its sleeve this year, aside from a Tek 9 and a 64 impala.

Getting things red poppin off, man, the puns aren't working tonight.

Lost Abbey, Red Poppy, Flanders Red, 5.5% abv

A: This is darker than I remember from last year’s foray. There’s very little amber or ruby hues and almost a deep crimson that light cannot pass through. It’s like the black stuff from Pirates of Dark Water, if anyone remembers that shit. There’s a very subtle ruddiness to the center of it but it is largely almost a deep brown murkiness. The frothy carbonation is like lemon meringue all ready to take me to the candy shop.

I gladly paid $15.99 for this bottle with fond memories of last year, jokes, bonhomie, barrel kisses

S: There’s a fresh cut strawberry zest with a cherry note to it. This also has an air to it similar to red flavored candy, red candy anything, well except maybe Red Raspberry Dollars, but that candy sucks ass. A mild vinegar aspect gets up in the mix and starts dry humping the olfactory zone with an acerbic disposition.

T: The taste is much simpler and to the punch than I recall from previous outings. It winds up with a nice tart Skittles haymaker, transitions into a cherry tannin taste with some nice oakiness closing up shop and then, that’s it. It is over as fast as you can read this sentence. There is a lingering tartness similar to a currant but the whole affair is over far too quickly, like when you order a private dance and they use the cross fader when there’s still like 40 seconds left of Tony Rich Project. No one else? Ok cool.

I was expecting the tart comedic stylings of Fred Flintone, and then this guy showed up at my birthday party.

M: The mouthfeel has a sharp bite at the outset that subsides into a mellow juiciness that almost seems nutritional by way of contrast to most of the garbage I usually put in my body (beers specifically, not objects.) It washes away gently and I almost forget that I took a sip by the time I want to take another sip. It’s like Deep Blue Something – Breakfast at Tiffanys, it’s so benign that you can shop for slacks in the grocery store without even realizing you are draining $15.99 almost instantly.

D: This is exceptionally drinkable but for all the wrong reasons. I don’t think it is on style for Flanders Reds to be going apeshit and tearing my mouth up like Cal Trans workers, but this is as one dimensional as a fashion student. Much like an awkward Bucca Di Beppo date, you forget about it sooner than you should, and there’s a mild family style disappointment on your palate. The cherry is good, the sour patch goodness is rad, but the swift nature in which this pricey bottle is done leaves something to be desired.

It remains entirely unclear to me, on a Mudkips level, as to why last year's version of this beer was incredible and this year's version is closer to the R-word (rhymes with scrodenbach)

Narrative: “Ok and frame up to a half body shot and, CUT it’s a wrap!” the crew looked on in amazement at Cerise Michael, master director at work. His style was innovative and bold to a fault. His minimalist films had gotten shorter and shorter until, his latest project was a series of 5 shots that had a run time of 94 seconds. Still, people flocked to the theater to see what shocking new revelation that he had committed to cellulose acetate. The recent project was a series of shots of a mailman delivering packages, some starwipes to ducks wearing ties, and finally a sustained 12 second shot of a Seattle garbage dump. Masterful. Local theaters had revolving doors installed so that patrons could purchase bulk tickets and imbibe the tart glory over and over, 94 seconds of complexity at a time. Some pundits argued that a concentrated burst of complexity could use some elaboration, suffice it to say, CERISE MICHAEL COMPROMISES FOR NO ONE.

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